Archive for the ‘news’ Category
One Nation…..
…Under God, well maybe not God, maybe Literature.
Erin and I were in the Crapters recently and she asked me an intriguing literary question. If you could only read one nation’s work of literature, the authors must have a birth certificate from this nation and (here is the fun part) you are restricted from reading authors outside of this nation, which nation do you choose?
It is a difficult question to answer. So many wonderful authors from so many different countries: Ireland, Great Britain, Japan, United States, India, Mexico.
Going to think on this for a bit and will respond later, but enjoy. Cheers.
‘Smoking Martyr’
I do not personally smoke cigarettes. But let me be clear, I have no problem with people that do smoke as long as it does not get in my face as I hate the smell and would rather not breathe it in.
The following article is interesting though: ‘Smoking Martyr’ Lynn Barber pulls out of festival.
Barber, who writes for the Observer, was due to appear at Richmond’s Book Now festival in November to discuss her memoir, An Education, which tells of the destructive affair she began as a teenager with an older man who picked her up at a bus stop. Her publisher Penguin had supplied a black and white photograph of Barber for inclusion in the festival’s brochure, embroidered scarf around her neck, head thrown back, cigarette in mouth.
But Richmond council deemed that using a picture of an author smoking went against its responsibility to encourage “good health habits”, and asked Barber to provide another. She declined and pulled out of the festival, saying that she had “always wanted to be a Smoking Martyr and obviously this is my opportunity”.
“If a pic of me smoking is such a threat to the good burghers of Richmond, imagine what my presence would do,” she said this morning. Barber, winner of five British Press awards, is also the author of a study of Victorian naturalists, The Heyday of Natural History, along with How to Improve Your Man in Bed and The Single Woman’s Sex Book.
I believe that this festival has every right to deny access or limit the types of people that attend and this includes the type of documentation that they publish (advertising, etc). But even though they have every right to do this it seems a bit much to ask that a photograph of an author be replaced because deemed unworthy of the “good health habits’ that the festival wished to promote.
This is a book festival not a health fair. I could understand if the primary sponsors of this festival was an organization that was about lung cancer or something of that nature, but this is a festival. Should the festival censor the types of writing that authors and publishers are promoting. God forbid an author have a character that smokes or does drugs or dare I even think it: have sex.
The festival responds as follows:
“A Richmond council spokesman said: “We don’t like to use images of people smoking in our promotional material. As a local authority we are responsible for encouraging good health habits in the area, and to be seen to be endorsing smoking, no matter how unintentional, doesn’t complement this.”
What do you think? Is it out a bit much for the festival to demand this photo be changed? I think that she was right to pull out of the festival. I’m sure that if other authors were scrutinized along with their photographs someone, anyone, would find a reason to object.
I am going to hold a Literary Festival of my own and invite famous authors and publishers but I swear to God if I see one photograph of an author sitting in an armchair it’s off with your damn head.
Your thoughts and commentary?
A book should be a book, right?
I’ve read two recent articles over at the Guardian and it has made me reflect on a trend that seems to be occurring at the moment, the blending of mixed media when it comes to the book form.
Nick Cave, a musician, poet, artist, actor, dare I say it: renaissance man recently released: “Nick Cave’s new novel The Death of Bunny Munro – the story of a sex-maniac travelling salesman taking his last road trip – goes to market through the iPhone App Store, in an enhanced edition that is being launched before the print version.”
The enhanced app has the following advantages:
you can faff with fonts, change colour, bookmark it, and so on; and there’s some smart social networking stuff attached. But it also includes enhancements that could have a noticeable effect on the experience of reading. Instead of paginating the book conventionally, it’s presented as a continuous vertical scroll (one geek-pleasing trick is that you can adjust the scrolling speed with the angle of tilt of the phone), and the App includes an audiobook that syncs with the written text. Pop on the headphones, thumb the screen and Cave’s voice picks up where you left off.
So the question is? Is all of that necessary for the enjoyment of a book? Thomas Pynchon’s latest release Inherent Vice now has an added feature to “enhance” the reading. Pynchon has released a playlist to accompany the reading:
a list of the songs which feature in Inherent Vice, which follows the story of pot-smoking private eye Larry “Doc” Sportello. From The Beach Boys (God Only Knows and Help Me, Rhonda) to The Beatles (Can’t Buy Me Love), Frank Sinatra (Fly Me to the Moon) and Pink Floyd (Interstellar Overdrive), the soundtrack, whichhe designed for Amazon.com, is a journey through the music of the 1960s, the setting for his new novel.
It also includes a few fictional tunes: a song “performed” by Doc himself, Skyful of Hearts, as well as providing a nod to Scott Oof of Vineland fame, whose band Beer “performs” the theme song from The Big Valley.
Again, I have to ask if all of this is necessary for the reading of a book? I guess on the one hand I can understand that in today’s modern world with all of the distractions that are constantly around us, I can understand the desire to add some pizzazz and punch to a work of art in any medium to attract people so that they generate some interest and passion for the work. But it is also sad that it takes this much excess to draw the eye.
A book cannot be a book anymore, it must have a playlist, it must be read to us, it must glow in the dark and be downloaded instantly into our minds.
The fact that books now have “trailers” astounds me and I’m not sure if this is a good thing or not? Good in catching the eye, but as I’ve said, bad because this signifies that we are too caught up in the light-show and that these works cannot simply stand on their own now.
I enjoy mixed media and I support the arts in all of its forms, but still, sometimes a book should just be a book. Maybe I’m turning into a curmudgeon (I can hear Erin saying outloud, “turning into….” with a very particular tone).
Your thoughts?
R.I.P. Frank McCourt
I’ve not had the chance to read any Frank McCourt but I’ve listened to a few interviews about his thoughts on writing and teaching and someone who had that much passion for teaching children will certainly be missed.
“You have to study and learn so that you can make up your own mind about history and everything else but you can’t make up an empty mind. Stock your mind, stock your mind. It is your house of treasure and no one in the world can interfere with it.” – Frank McCourt (Angela’s Ashes) –
Cheers.
Independent Safeguarding Authority
I used to think that the United States was pretty intense in its fear mongering of all those “what if” scenarios… What if 9/11 were to happen again? What if we ignore the threat to our security and Al-Queda sneaks into the country and kidnaps your children and brainwashes them into zombie sleeper agents?
But the more I read the Guardian and the more I look at the politics of Great Britain, the happier I am to be in Canada.
There has been some concern of a recent proposal put forth by the “Independent Safeguarding Authority”:
Set up in response to the murders of Jessica Chapman and Holly Wells by school caretaker Ian Huntley in 2002, the Independent Safeguarding Authority will vet all individuals who work with children from October this year, requiring them to register with a national database for a fee of £64.
The Vetting and Barring Scheme is managed by the Independent Safeguarding Authority, which was set up in response to the 2002 Soham murders, committed by former school caretaker Ian Huntley. It kicks off this October, requiring the 11.3m people across the education, care and health industries who work with children to register – for a £64 fee – on a national database.
Philip Pullman, noted children’s author, has stated that he will not comply with any such requests and I think that he hit it right on the head.
There are several reasons why this form of “security” or “vetting” is ridiculous. First off, when you invite someone to speak at your school, for the most part they are people of some importance: scholars or academics, writers, film-makers, actors, people who have a name. I mean why else would they be invited there. So I’m thinking that most of these types of people are not going to be doing things that are harmful towards children.
Secondly, if these noted persons who are invited into the school are being left in a position where they are on a one on one basis with a child, then your concern should not be directed towards the person who has been invited into the school but the school administration itself and the way they handle your children and their safety.
Third, I am not saying that we should not inspect people who come into schools. This whole issue is in response to a murder that took place after a caretaker at a school attacked two students. If the schools want to require a mandatory check of all bags and/or some kind of metal detection, whatever, by all means go for it.
But to require people to pay money to enter a database, hmm, why not ask them to wear some kind of insignia on their sleeve so that we can identify these persons.
Think about it, what if this starts a precedent where Academics are singled out. It’s a slippery and scary slope.
I’m glad that people like Philip Pullman are speaking out against this type of inane fear mongering. I’m inclined to agree with him as he asked why he: “should have to pay £64 to a government agency to be given a certificate saying ‘I’m not a paedophile’. It’s so ludicrous that it’s almost funny, but it’s not funny, it’s actually rather dispiriting and sinister.”
What’s scary though is that the current “Children’s Laureate” thinks that writers should comply.
I’m all for the safety of children, nothing is more important. But, this seems like a bit much.
Interested in your thoughts?
*EDIT/UPDATE
Anyone who has “regular” or “intense” contact with children or vulnerable adults will by law have to sign up to the Vetting and Barring Scheme from November 2010.
“Regular” is defined as more than once a month and “intense” as three times a month or more, the Home Office says. BBC.com
Ok, so this seems a bit more reasonable as people who have authority and are likely to be models for students to look up to should be held under a more rigorous standard, as we expect the same checks on our teachers and principals.
I still see this as a bit scary though. At what point do we say enough is enough, should are children be locked up at home and only taught by parents, because no matter how much they vett and interogate there will always be an element that gets through, its horrid to envision, but its true.
Just had a very intense discussion with Mrs. Karriana about how far is too far when it comes to this issue. As much as I respect these types of policies and laws to keep children safe, I worry about the precedent it sets. How much “Think of the children…..” fear mongering can we have and at what civil cost? Something I want people to consider before they attack me for letting the pedophiles into the school system. The Government does not discriminate. It is often very much black/white. Suppose you commit a minor offense as a young adult, you get caught with some pot or something like that, and now you have a record. If policies like the one set above in UK are put forth it sets a precedent that allows for legislation to be passed that prevents anyone with a record from entering school grounds. So now you’re screwed for something early on in life, as if people do not grow up or change or sometimes shit just happens. What if you get caught with a bag that is not your own and heaven forbid the police mess up with evidence, b/c we know that doesn’t happen, what then, you’re punished for life. It’s all or none when it comes to children. Parents are fallible and I’m not saying let rapists into the school, but things happen in life, we have to be weary that in the name of the children, our own civil liberties are not lost. Something to consider.
Jodi Picoult and the Tragic:
Reading an article in the New York Times about Jodi Picoult and the Anxious Parent, a look at a recent book trend:
“THE ENDANGERED OR ruined child has emerged as a media entity within a culture that has idealized the responsibilities of parenthood to a degree, as has been exhaustively noted, unprecedented in human history. The more we seek to protect our children, the more we fear the consequences of an inability to do so. Increasingly over the past decade, writers of crime fiction — Harlan Coben and Dennis Lehane among many others — have made a recurring subject of children violated by predation, abandonment, neglect.” […] ““I think I gravitate toward these subjects because I’m looking for answers and I don’t have them,” Picoult told me. “But mostly I think it is superstition. There is a part of me that believes that if I think about these issues, if I put myself through the emotional ringer, I somehow develop an immunity for my own family.”
Picoult’s thoughts on putting herself “through the emotional ringer” is something that I often think about when reading literature. I’ve had many different discussions with my friends, most of whom are as passionate as I am about literature and one thing that consistently comes up is how the stories that resonate the most with us, as people, are the ones that are often the most violent, most emotionally crippling, or tragic.
There is no doubt that we all enjoy light comic reads from time to time, but personally, the stories that I re-read over and over again center on the tragedy. Two books that I can read over and over again, The Count of Monte Cristo by Alexandre Dumas & The Lord of the Rings by J.R.R. Tolkien both rely heavily on tragic and often destructive story lines that take characters into intense and often destructive places. Yet, I turn to these books whenever I seek comfort because I take comfort in these characters and their ability to face these situations, whether they win or lose.
It seems that literature often depends on the Tragic, a way of working through these issues. Random thoughts.
The Complete New Yorker
If you’re a liberal lit. snob such as myself then “Eustace Tilley” is an image that you are most likely familiar with, but for those unawares, this character has become the mascot of The New Yorker magazine, a cultural arts and news magazine that provides a host of information, commentary, criticism, essays, fiction, satire, cartoons, and poetry. 
If there is one thing I love more than literature and pretentious snobbish behavior, it is getting a deal. The Indian in me screams for joy when I can get something at half cost. Sadly, bargaining is not as popular here in North America as it is in my own country back home where everything on the street can be haggled and bartered and reduced if one has the right amount of patience and fortitude. I digress though, back to the subject at hand.
I recently purchased The Complete New Yorker: a complete digital archive of back issues from 1925 to 2005representing more than 4,000 issues and half a million pages) available on nine DVD-Roms. This thing retailed at $130 and I picked it up for $30 on-line at Chapters.
The primary reason I picked this up is thanks to J.D. Salinger. There are a number of short stories that he released only through this magazine that are no longer in print and now I have full access to them, along with so many others.
The amount of information in this archive is overwhelming and I find myself at a loss of where to begin, so at the moment I’ve simply taken to jumping around with various years and reading different short stories and editorial comments. If you have some money, I would suggest investing and picking up a copy, so much information and history. It will be nice to throw this on in the future at some point and show the next generation significant moments in history as catalogued through this media: 9/11, President Obama, etc.
Now all I need is The Complete New Yorker Cartoon, here’s hoping for cheapness in two years. Cheers.
Steve Harvey:
Take my advice and don’t buy Steve Harvey’s new relationship/self-help book: “Act Like a Lady, Think Like a Man”. You’re asking me, why should I condemn a man and his book when I’ve not taken the time to read it. Let me share some of his so called advice, and these are quotations and clips from interviews on Oprah and selections from his book. (Warning: May cause nausea.)
“I think lists are great. You’ve got to have them. You’ve got to know what you’re looking for. Without standards, you settle for stuff.”
“You’ve got to wait on this guy to come along. He’s coming. He’s out there. He’s already created. God has already made him,”
“He has a job. He’s wearing the clothes you like. He’s walking around. You’re not waiting on him to be born. He exists today. All you’ve got to do is stay patient.”
“You don’t know the DNA of a good man,”
“We profess, we provide and we protect,” he says. “A man has got to see where he fits into the providing and protecting role. If you’ve got everything, you can do everything, you’ve got your own car … you’ve got a guard dog and a handgun. The guy is thinking, ‘Where do I fit in here?’
“You’ve got to make a space for him to fit in so he can come in and do what men do.”
“You can’t let your independence and your ability to take care of yourself be the dominant factor of who you are,” he says. “You know how many times I hear women say: ‘I don’t need a man. I’ve got this. Why don’t a man just come to me?’ Just like you’re saying it, you’re projecting it. If you’re projecting it, where does a man fit in there? Just relax.” [!!!!]
“Ladies, you’re not going to get closure from a man,” he says. “We don’t do closure. And you know why? Because we don’t even know you’re having an issue. We’re stupid.”
“We’re not courteous. Listen, it’s not in our DNA as great communicators anyway,” he says. “See women keep waiting on closure. Bring it on. If you want closure, close. Move on with your life.”
Sex, or “the cookie” as Steve calls it in his book: It’s critical,” he says. “It’s one of the three things that a man has to have. A man has to have love, support and the cookie. [If] anyone of those three things is missing in the relationship, he’s going to go get it somewhere else.”
“A man having sex outside of his relationship is very different from [a woman],” he says. “Once we shower and wash off, we cool.
“Please know that about a man. If he’s going to cheat, it has nothing to do with his emotional attachment to you or his feelings for you.”
So yeah….that’s Steve Harvey and his philosophy for relationships. It’s nice to see that arguments that were being made in the 1950’s about the roles of women and men are still being used today. Essentialist arguments that root these socially constructed patriarchal ideologies in DNA.
I placed some exclamatory marks in the one selection that I think deserves the most attention.
“You can’t let your independence and your ability to take care of yourself be the dominant factor of who you are,” he says. “You know how many times I hear women say: ‘I don’t need a man. I’ve got this. Why don’t a man just come to me?’ Just like you’re saying it, you’re projecting it. If you’re projecting it, where does a man fit in there? Just relax.”
So if you’re a woman and you’re independent and strong and motivated, Steve’s advice to you is to not let these attributes define you as a woman. Good to know.
His “3 p’s” garbage is also quite disturbing. I also enjoy that as a man I am also being defined and constricted into a very particular role. I am unable to process emotions and think or communicate with a woman, because as Harvey says: “it’s not in our DNA as great communicators anyway,” and I’m also only good at grunting and lifting things and protecting women from large beasts that live in the wild.
It’s not just the hate speech that Mr. Steve Harvey preaches that upsets me, it is the way that he attempts to naturalize roles for men and women and the notion that all men are like this. Mr. Steve Harvey makes all of us look bad and sets things back, back into the 50’s and beyond.
I don’t think that I’m over-reacting or reading too much into this type of ideological hate-talk.
Please share your own thoughts and I urge you to go to oprah.com [ something I thought I’d never say on this blog ] and watch the clips. You’ll also notice how silent Oprah is, which I guess is in keeping with Steve’s advice. It is amazing that one of the most independent and strong females on television brings on a guest that gives advice of how wrong and hurtful this way of living is for relationships.
The clips are from about a week ago. Mr. Harvey has been making the rounds on television and radio promoting his new book. Aside from talking about the ills of strong women and the dangers of this for a relationship he’s recently given his advice on religion, specifically those who do not have faith, atheists:
It seems that for Mr. Steve Harvey the world is a horrible place, full of strong minded women, men who communicate well with women, and atheists who shake the foundations of religion, such a horrid world we live in, thinking and acting, what the fuck were we thinking.
'ahems and ahahs' 